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Artists at LeisureAlbert Tucker Photographs

When
12 March – 13 November 2016
Location
Albert & Barbara Tucker Gallery
Admission

Included with Museum Pass

Free entry

Curator/s
Linda Michael

This exhibition shows artists from the Heide circle enjoying days at the beach, meals with friends, and other leisurely activities, through the eyes of Albert Tucker (1914–1999), who photographed the people and places around him as a personal record. Some photographs reveal various leisure pursuits Tucker himself enjoyed, typically of a theatrical nature—wrestling matches, dances, soapbox speeches, and plays. In one of many images he took of May Day marches, protestors fight to save workers’ Friday nights for leisure time. Then, as now, its importance in relation to the needs of the workplace was a subject of contention.

Albert Tucker
At Sorrento, Sidney Nolan Buried, John Reed, Sunday Reed, and Joy Hester, Pregnant
1944
gelatin silver photograph
30.2 x 40.2 cm
Gift of Barbara Tucker 2001

Albert Tucker
At Sorrento, Sidney Nolan Buried, John Reed, Sunday Reed, and Joy Hester, Pregnant
1944
gelatin silver photograph
30.2 x 40.2 cm
Gift of Barbara Tucker 2001

Albert Tucker
Joy Hester, Fitzroy Gardens, Melbourne
1942
exhibition print from gelatin silver contact photograph
Gift of Barbara Tucker, 2008

Albert Tucker
Joy Hester, Fitzroy Gardens, Melbourne
1942
exhibition print from gelatin silver contact photograph
Gift of Barbara Tucker, 2008

Albert Tucker
Mirka Mora Showing off her Frilly Knickers, Georges Mora, Lucy Beck, Sunday Reed at Aspendale
1961
type C photograph
41.2 x 32.5 cm
Gift of Barbara Tucker 2001

Albert Tucker
Mirka Mora Showing off her Frilly Knickers, Georges Mora, Lucy Beck, Sunday Reed at Aspendale
1961
type C photograph
41.2 x 32.5 cm
Gift of Barbara Tucker 2001

Joy Hester
Bert, Fitzroy Gardens
c.1942
exhibition print from gelatin silver contact photograph
Gift of Barbara Tucker, 2008

Joy Hester
Bert, Fitzroy Gardens
c.1942
exhibition print from gelatin silver contact photograph
Gift of Barbara Tucker, 2008

Aptly described as the ‘accidental historian’ of the Heide circle and other artist communities in the late 1930s to mid-1940s in Melbourne, Tucker’s natural approach using available light lends itself particularly well to capturing unselfconscious moments. And the drama of the wrestling ring, gymnastic exploits and passionate protests are well-served by his keen eye for composition and dramatic use of light and shade.

Tucker’s photographs also reveal, more subtly, that an artist is rarely idle. The product of a restless desire to observe and document his surroundings, they demonstrate a likely detachment from full participation in leisure pursuits. Some of his later colour photographs taken at the beach at Aspendale, where the Reeds had their holiday house, record scenes that became the subject of later paintings, several of which are also on display.

Along with beachside holidays and occasions at Heide and other Melbourne sites, Tucker captured social and cultural occasions such as performances of the New Theatre, Wirth’s Circus and Tivoli, the Yarra bank speakers’ forum and legendary showman–wrestler Chief Little Wolf.

Supported by

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